March and April bring our most floral edit yet: pansies in violet and cream, and peacocks in their full ceremonial colour, the scent of the garden wherever you go. These are pieces made for in-between seasons, warm enough to travel with, light enough to layer.

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This edit draws on archival research with botanical collections as well a​s on memories and old family photographs. From the accumulation of references a vocabulary of motifs emerged. The pansy, delicate, unguarded, improbably vivid, sits alongside the peacock, which in South Asian artistic tradition is never merely decorative. It carries rain, it carries colour, it carries ceremony. Together they became the language of this edit: something between the cultivated and the wild, between memory and the present season.